Wind River (2017)

★★★★

Taylor Sheridan’s Wind River is a snow-covered crime thriller that is not just another rinse and repeat rendition of the genre. Suspenseful gunfights, diverse themes, and beautiful cinematography in addition to exceptional shot composition make this movie one of the best I have seen all year.

There are a couple prominent motifs in Wind River. The first, would be vigilante justice. Which has a lot to do with Cory Lambert’s (Jeremy Renner) past, with the loss of his daughter. The other motif that is equally as paramount, is missing Native American women; and the the absence of statistics for their disappearances. The film ends with this anecdote actually, creating emptiness inside me about how many Native American girls have gone missing without the knowledge of any type of law enforcement. Since the film takes place on a Native American reservation in Montana, the dire situation the reservation is in is also shown. Drugs are clearly a problem on the reservation, as the girl who was killed, Natalie Hanson (Kelsey Chow) has a brother who is considered to be past saving by his father from substance abuse. The two main motifs in this movie are also joined by minor themes such as love, prejudice and cultural differences. Which also serve important purposes in the story.

The almost-fleecy mountains of Montana are a great setting to shoot a movie in. The wide shots in this movie especially display how gorgeous the environment is. The cinematography of the shootouts, possibly even better than the ones choreographed in Free Fire (2017). The suspense I felt in these two short, yet pivotal scenes was immense. The second shootout especially, does a good job transitioning to provide a backstory about certain characters motives. All this is done without needing to tell the audience, just through the editing.

The only glaring problem with Wind River was some of the acting from the supporting cast. Specifically, Lambert’s ex-wife Wilma (Julia Jones). Jones’ performance felt very dry, almost dead-pan and lifeless. Every time she was on screen her performance seemed to drag the film down. Fortunately, her screen time is very brief over the course of the picture.

Wind River is a tight, action thriller that again demonstrates Taylor Sheridan’s screenwriting talents as well as directing this time around. So, make sure to check this one out as I predict it being atop many “best-of” lists at the end of the year.

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