It Comes at Night (2017)


After watching Trey Edward Shults’ It Comes at Night I would recommend watching something to boost your spirits as well as trust in the human race. Because It Comes at Night is the most disturbing film I have seen all year.

It Comes at Night is a horror film but not in the traditional sense of the genre. Shults makes sure to not give any exposition on the universe surrounding the movie because it does not need to be stated. Instead, we need to figure out what is going on for ourselves. Shults sets the world with great camerawork and very well let scenes.

As far as acting, Joel Edgerton is the best of the small cast of characters. Riley Keough was not as good as she was in other films, like Mad Max: Fury Road (2015) and American Honey (2016) and Will (Christopher Abbot) had a rocky start at the beginning but his acting improved by the end of the film.

As far as pacing is concerned, the film is paced incredibly well until the end of the film where everything unravels so unbelievably quickly. (This could have been the purpose of the film however, so when re-watched this gripe could be laid to rest). The beginning opens slowly as it has to setup what is going on without confusing the viewer. But it really does not take long for things to start picking up.

It Comes at Night is hard to write about because it is an experience that I would not want to ruin by giving too much information away. It is an excellent movie that feels almost like a short film turned into a full-length picture.

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